Rebecca Gillman
		Rebecca Gillman is a regular fi xture at the Goodman with her productions of Dollhouse, Spinning Into Butter, Boy Gets Girl and Blue Surge all making their world premiere on the Goodman stage. Her other works include The American in Me, The Glory of Living (for which she was named a Pulitzer Prize fi nalist in 2001), The Crime of the Century, The Sweetest Swing in Baseball, The Heart Is a Lonely Hunter, The Boys Are Coming Home and Lord Butterscotch and the Curse of the Darkwater Phantom. She is the recipient of a Guggenheim Fellowship, the Prince Prize for Commissioning New Work, the Roger L. Steven Award from the Kennedy Center Fund for New American Plays, the Evening Standard Award for Most Promising Playwright, and the George Devine Award. Gilman has been said to “write plays with such intriguing plots that the audience fi nds itself hungry for what is going to happen next…” (Chicago Tribune)

		Rebecca Gillman
		Rebecca Gillman is a regular fi xture at the Goodman with her productions of Dollhouse, Spinning Into Butter, Boy Gets Girl and Blue Surge all making their world premiere on the Goodman stage. Her other works include The American in Me, The Glory of Living (for which she was named a Pulitzer Prize fi nalist in 2001), The Crime of the Century, The Sweetest Swing in Baseball, The Heart Is a Lonely Hunter, The Boys Are Coming Home and Lord Butterscotch and the Curse of the Darkwater Phantom. She is the recipient of a Guggenheim Fellowship, the Prince Prize for Commissioning New Work, the Roger L. Steven Award from the Kennedy Center Fund for New American Plays, the Evening Standard Award for Most Promising Playwright, and the George Devine Award. Gilman has been said to “write plays with such intriguing plots that the audience fi nds itself hungry for what is going to happen next…” (Chicago Tribune)